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Grateful Dead Live at Fillmore East on 1970-02-11




Late Show

Disc 1

01 Intro by Keeva Krystal > Not Fade Away
02 Cumberland Blues
03 Cold Rain and Snow
04 High Time
05 Me and My Uncle

Disc 2

01 Dark Star >
02 Spanish Jam >
03 Turn on Your Lovelight

> missing <
Encore: Uncle John's Band (Acoustic)


Collection GratefulDead
Band/Artist Grateful Dead
Date February 11, 1970
Venue Fillmore East
Location New York , NY

Source Unknown Mics > Reel
Lineage MAR > ? > R @ 3 @ ips. > AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)
Transferred by Matt Smith


Notes

--- taper unknown ... AUD reel courtesy of Don Wolfe

--- mastered to CD by Matt Smith


Huge thanks go to Matt Smith for this wonderful Don Wolfe source, and his masterful transfer work!!!

Uncle John's Band is missing

Reviews

Reviewer: weironamissionfrombob - - May 11, 2013
Subject: Duane n Jerry
Duane is definitely playing in Dark Star, he really starts to dig in more n more around 6 or 7 mins into it. This is a great quality aud recording for this year. Great show too. When I give a rating its not based on every possibility of how good a show can sound and how well played it was. I rate each one on based on circumstance, for 1970, this is a great, totally listenable audience recording, the setlist is great and the jamming is inspired and interactive
Reviewer: jpotts3 - - January 24, 2011
Subject: which versions are the best of these available
Great to see this in a fuller version than the one i had for years
Just read about it again in Lesh's book.
Question- which versions ( Aud and Board, one of each, of course) of these available should be downloaded, is there a consensus?
Reviewer: gvtmule - - February 13, 2010
Subject: Nice find
The advantage of this audience source is that it reflects the house sound. Peter Green is way to low in the soundboard mix - and its clear why. His stage volume is smoking. It is too cool to hear him and Jerry dueling. Dark Star > Spanish Jam is the highlight. Great great stuff!
Reviewer: DeluxeSG - - December 2, 2009
Subject: Thanx Matt
I've ever considered 2-11-1970 the show of my life: the three best guitarists of my personal list (Peter Green, Jerry Garcia, Duane Allman)...togheter! Thanks to the kindness of a Deadhead I obtained a copy some years ago. But for the first time I can listen clearly to that wall of sound distinguishing Peter from Jerry. And I'm now sure that also Danny Kirwan was of the party (you can recognize him from the unique vibrato).

Chronological note (a personal one, of course): in 1970 Peter and Jarry had yet many years of music experience. Meanwhile, I believe that Duane was still exploring his style, that would have achieved the higher point the next year.

Thanks again Max!
Reviewer: thelegroom - - June 3, 2009
Subject: Well Documented Show
Thanx Matt. This is an upgrade over my previous aud. Sound gets better, though it does change at times. I finally have this show complete as I combined it with a source for Uncle John's. I am playing Not Fade and Cumberland on my radio show this week. Peace
PEOPLE ALSO FOUND
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Source: Sennheiser 4xx's > Marantz PMDxxx > MC.
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Source: Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.
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Source: Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename